Your one stop shop for film grains, color grading lots vintage analog textures like VHS and CRT images, smoke fog textures, DaVinci Resolve presets and much more. As filmmakers, we're always looking for ways to level up production value of our projects, and speed up our workflow. Today's show is sponsored by Enigma Elements. It was just the vibes were that good on on on that set. If the shooting schedule had been like a week longer, we probably would have turned into a cult. ![]() Letting their relationship ebb and flow through anger, silly jokes, tender gestures, and sadness, director Alex Lehmann leads the film in a beautiful meditation on the cyclical nature of parenthood and the longing for connection. ![]() She struggles to understand him, his single-mindedness and deteriorating mental health, all the while with her own life-changing news to share. The two awkwardly want to get to know one another (Dad seems more comfortable talking through his dog Migo, or through Bobby, Maggie’s childhood sock puppet friend), but are at the same time scared about what increasing familiarity will bring.Īfter Dad reluctantly brings her on one of his nighttime outings, Maggie realizes that his obsession with UFOs and communicating with extraterrestrial beings has only intensified over the years. After a decade apart, Maggie’s offhand explanation for her visit is that she just wanted to check in on him, but this doesn’t ring true considering how difficult he was to find. Maggie ( Dianna Agron) arrives at a small, run-down house in the middle of nowhere to find it defaced by big orange letters reading ACIDMAN and learns that this is the locals’ nickname for her reclusive father ( Thomas Haden Church). Lehmann’s work explores the themes of selfless love, friendship, and how a little vulnerability can connect us all. His HBO docu-series, On Tour with Asperger’s Are Us is an extrapolation of his original feature doc Asperger’s Are Us. ![]() ![]() It premiered at TIFF in 2016 to critical acclaim. He also directed the highly anticipated Black List feature, “Meet Cute,” produced by Weed Road, and starring Pete Davidson and Kaley Cuoco.Ī narrative and documentary filmmaker, Lehmann’s films include Netflix’s dramatic comedies “Paddleton,” starring Mark Duplass and Ray Romano, which premiered at Sundance in 2019, and “Blue Jay,” his narrative feature debut, starring Sarah Paulson and Mark Duplass. Still, Someone Like You…, based almost entirely on the chemistry between and charm of its actors, generally does manage to come off as a passable time-waster that could easily have been a whole lot worse.Alex Lehmann is the writer, director, and producer of “Acidman” starring Dianna Agron and Thomas Haden Church. It’s fairly disappointing to note, then, that Chandler’s paint-by-numbers script emphasizes a somewhat sluggish storyline that contains few (if any) unexpected plot points, and there’s certainly never a point at which the viewer is wholeheartedly drawn into the protagonists’ predictable exploits (which, in turn, dulls the impact of the larger-than-life romantic finish). Filmmaker Goldwyn, working from a screenplay by Elizabeth Chandler, delivers a mostly watchable yet hopelessly generic romcom that benefits substantially from the charismatic work of its various performers, with Judd’s winning work here matched by a strong supporting cast that includes Marisa Tomei and Ellen Barkin (although there’s little doubt that Jackman’s nigh impossibly ingratiating turn remains an obvious and ongoing highlight within the proceedings). Directed by Tony Goldwyn, Someone Like You… follows Ashley Judd’s Jane Goodale as she embarks on a relationship with a married man (Greg Kinnear’s Ray Brown) but eventually finds herself falling for a cocky coworker (Hugh Jackman’s Eddie Alden).
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